Embracing Excess: Maximalism Revitalizes Interior Design

In the realm of interior design, the mantra “less is more,” championed by architect Ludwig Mies van der Rohe during the era of modernism, has long symbolized sophistication. This ethos translated into the dominance of Scandinavian and Japanese-style interiors, reflecting a cultural preference for simplicity and purpose over extravagance.

However, a recent shift has seen designers and homeowners embracing bold colors, intricate patterns, and textured contrasts. This resurgence of maximalism stands in stark contrast to the clean lines and muted palettes of contemporary decor, embodying a philosophy that revels in the notion that “more is more.”

Maximalism’s Historical Roots and Contemporary Resurgence

While the term “maximalism” emerged in response to modern minimalism, its roots trace back to the opulent decorative styles of the 17th and 18th centuries, flourishing during the Baroque and Rococo periods in Europe. Historically associated with wealth, exemplified by the grandeur of Louis XIV’s Palace of Versailles, maximalism experienced resurgences in the Victorian era, as well as during Art Nouveau and Postmodernism movements.

In contemporary times, maximalism is making a comeback, possibly fueled by social media and a reaction against the frugality of the recession era. This revival is evident in the new book, “Living to the Max: Opulent Homes & Maximalist Interiors,” which showcases almost 30 projects, predominantly private homes, offering a glimpse into the stories, influences, and creative processes behind maximalist spaces.

Maximalism as Self-Expression

The book features diverse projects, from fashion designer Rosita Missoni’s vibrant Milan apartment to burlesque icon Dita Von Teese’s glamorous Hollywood home. The essence of maximalism, as revealed in these spaces, is not defined by strict rules but rather by the eccentricity and eclecticism of its inhabitants.

Interior designer Matthew Williamson’s Mallorca home, rich in pastel hues, floral prints, chandeliers, and Moorish mosaic walls, exemplifies the joyful and exuberant approach to design characteristic of maximalism. For Williamson, maximalism is an inherent part of his design philosophy, expressing a love for patterns, textures, and items with stories to tell.

Jewelry designer Solange Azagury-Partridge, featured in the book with her boldly decorated cottage in Somerset, sees maximalism as a medium for self-expression, allowing for the freedom to convey one’s personality and tastes. In contrast to minimalism’s strict adherence, maximalism thrives on chaos and deviation, making it an ideal style for self-expression within the home.

Maximalism: A Colorful Antidote to Minimalism

While some designers fully embrace the maximalist label, others, like Edinburgh-based designer Sam Buckley, find inspiration in maximalist sensibilities without strictly adhering to the categorization. Buckley’s homes, characterized by extensive art collections, mixed-era furnishings, and quirky decor items, exude a fearless use of color.

Buckley acknowledges that while minimalism appeals with its observed simplicity, it often falls short in its use of color. Maximalism, he argues, serves as an antidote to the monotonous gray or beige color schemes associated with minimalism. Advocating for a fusion of minimalism’s simplicity with vibrant color use, Buckley envisions a design approach that incorporates the best of both worlds.

In the post-pandemic era, maximalism emerges as a fun, playful, and sophisticated design trend, offering a departure from the restrained aesthetics of minimalism and a celebration of individuality and creativity within living spaces.